Looking Back
It wasn’t too long ago that we went to collect our 1963 Bentley S3 and bring it back to the workshop. Before even more progress
It wasn’t too long ago that we went to collect our 1963 Bentley S3 and bring it back to the workshop. Before even more progress
The strip down of the axle and brakes from our 1955 Aston Martin DB2/4 Drophead Coupe has continued with Neil recently. While he was doing
Our 1976 Triumph Spitfire has made a lot of progress recently. After having its body painted in Java Green, it left the Bridge Classic Cars
In February, a select group of individuals will be presented with a very special opportunity to become the new owner of one of Ferrari’s most
Our 2010 Land Rover Defender has been undergoing some work in the Bridge Classic Cars paintshop as Mauro has been painting the roof before polishing
Christian has had our 1953 Aston Martin DB2/4 in the fabrication bay as he has been making some repairs on the chassis. While he was
The Superyacht industry has always been known for luxury, excess, exclusivity and above all, discretion. Whether it’s the golden teak decks, unique interiors, or luxury
In the world of luxury and extravagance, few things are as iconic and beautiful as a superyacht.ย These floating gin palaces represent the pinnacle of
The Bridge Classic Cars team is growing. We have several vacancies that we are currently trying to fill: Classic Car Paint Restoration Specialist We are
Last night, Gordon and I were invited to attend a dinner at the prestigious Ipswich and Suffolk Club organised by an exclusive group of local
Lydia has been using various grit of sandpaper to clean off the paint from the bonnet of our 1951 Austin Devon Pickup. Some areas of
We recently received a call from the London & South East England Prestige Awards to let us know that we have been named Automotive Restoration
The letters SL have served as moniker for fast, stylish and sophisticated Mercedes Benz 2-door sports cars for nearly 70 years. From its earliest days
This is the story of Chris Owen and his 1937 Austin Ten Cambridge, known as Harriet, told in Chris’s own words. “My first car was
We have recently welcomed back the 1964 Daimler 250 V8. After under going restoration/recommissioning by ourselves last year, the car was given back to its
Over the last few days, the workshop team have been completing some final checks and road testing our 1955 Aston Martin DB2/4 in readiness for
The paint and body team at our Suffolk HQ have been methodically working on separating the body from the frame of our 1975 AC Cobra
Before the lucky winner of our 2002 BMW Alpina B10 V8S arrived at the Bridge Classic Cars workshop to pick up his new car, Jonn
As our 1951 Austin Devon Pickup has continued its stay in the Bridge Classic Cars fabrication bay, Chris has been fitting up the cab lower
Classic car technician Paul has been continuing his work on our 1956 Jensen 541. He has fitted the brake pipes and rear shoes as well
There’s been some incredible progress on our 1905 Riley 9hp in recent weeks. Recently, the team here at the Bridge Classic Cars HQ have been
Our 1955 Aston Martin DB2/4 has been getting a lot of attention lately. The stripped chassis has been sent off to the sandblasters. Before it
The paint team here at Bridge Classic Cars have been preparing the body of our 1976 Triumph Spitfire for the next phase of its restoration
Our 1963 Bentley S3 has recently returned to the Bridge Classic Cars workshop. As you can see, from the photos below, it now looks very
The trim team have been working on repairing the drivers seat to the 1992 Toyota MR2 which is currently in our Pettistree workshops. Lydia worked
The Bridge Classic Cars Defender has been having some work completed recently. Lydia sanded off the sharp edges of the rear bench to avoid any
Jon has been carrying out the inspection of our 1974 Mini 850 Van. He began by topping up engine oil and screenwash in washer bottle,
Our 1963 Vauxhall Victor recently went live on the Bridge Classic Cars Competitions website. As it is scheduled to be won very soon, Jonn has
Our 1992 Toyota MR2 has been in the skilled hands of classic car technician Jonn. After he removed the driver’s seat for repair, Jonn disconnected
Tony wore his transport hat this morning as he carried the stunning Clio 2.0 16v Sport from one side of Suffolk to another. Normally our
It wasn’t too long ago that we went to collect our 1963 Bentley S3 and bring it back to the workshop.
Before even more progress is made on its restoration, it seems like a good time to take a quick look back at when we collected it and loaded it up onto our trailer.
The strip down of the axle and brakes from our 1955 Aston Martin DB2/4 Drophead Coupe has continued with Neil recently.
While he was doing this, Tony collected the chassis from the sandblasters. Progress continues to be made so it shouldn’t be too long before things start to come back together.
Our 1976 Triumph Spitfire has made a lot of progress recently. After having its body painted in Java Green, it left the Bridge Classic Cars paintshop and went back to Rob in the main workshop.
Rob has now begun the process of reassembling the car. After reassembling the rear brakes with new and reconditioned parts, the bodyshell was refitted and bolted down.
The new and reconditioned parts have also started to be fitted as the restoration of our classic Spitfire continues.
In February, a select group of individuals will be presented with a very special opportunity to become the new owner of one of Ferrari’s most iconic and desired models, a 1958 Ferrari 250 “Pontoon Fender” Testa Rossa. Celebrated for the beauty of its design alongside its now legendary racing legacy, this automotive icon will be a once-in-a-lifetime addition to someone’s collection.
The auction, hosted by RM Sotheby’s, will take place in Blenheim, Canada. Widely regarded as one of the most beautiful automotive creations of all time, the Ferrari 250 Testa Rossa comes with a staggering valuation of $34,000,000 to $38,000,000 (approximately ยฃ27,000,000 – ยฃ30,000,000).
This particular example, Chassis no. 0738 TR, is one of only 19 crafted by the renowned Italian coachbuilder Sergio Scaglietti. As well as being a stunning car to look at, 0738 TR has an impressive record on the track too. With nearly 20 period races and four overall victories, it was in active competition for over a decade. Recently restored in 2013, at Ferrari Classiche, it was awarded full Red Book Certification and is one of the very few TRs that retains its matching engine and gearbox
The importance and desirability of this special classic will obviously draw attention. With this in mind, the auction will be hosted through Sotheby’s Sealed, providing potential buyers with the opportunity to competitively bid in a private setting.
Shelby Myers, Global Head of Private Sales at RM Sothebyโs said “I have always believed that the 250 Testa Rossa should be the most desirable automobile in the world, especially in the context of Ferrari. When compared to the most revered prancing horse model, the 250 GTO, the TR far outpaces the GTO’s competition record. It revolutionised the World Sportscar Championship and won the 24 Hours of Le Mans an unprecedented four times; it is also much rarer in terms of the total number of cars produced. Its rarity, open-top experience, and iconic ‘pontoon fender’ design, present in only 19 cars, elevate it to the level of Michelangelo and Bernini’s art. No world-class collection is complete without the masterpiece that is the Ferrari 250 TR, the epitome of rolling art. These opportunities rarely come up, and it is fittingly offered through Sotheby’s Sealed, our most exclusive acquisition method,”
Our 2010 Land Rover Defender has been undergoing some work in the Bridge Classic Cars paintshop as Mauro has been painting the roof before polishing it too.
As well as the painted roof – for the rear panels, Craig chose a simple vinyl to match the existing interior colour, which really helped to brighten up the back of the vehicle as it was very dark. Lydia applied a thin scrim foam and then the vinyl, and stapled that to the back. She then refitted the panels and secured them with screws and cup washers. Lydia then had to refit the seat and the toolbox before Mauro helped her to attach the bolts to them.
Christian has had our 1953 Aston Martin DB2/4 in the fabrication bay as he has been making some repairs on the chassis.
While he was doing this, many of the parts are now being stripped, cleaned and checked ready for painting. New bushes and other small parts have been ordered, and when the parts have been painted, the sub assemblies can then be rebuilt ready to be fitted to the chassis and body.
The Superyacht industry has always been known for luxury, excess, exclusivity and above all, discretion. Whether it’s the golden teak decks, unique interiors, or luxury destinations, superyachts are floating gin palaces that cater to the worldโs elite. ย However, behind this world of extravagance, there exists a crucial aspect that is often overshadowed these days โ the importance of discretion and secrecy by the crew, particularly in the age of social media.
Everyday I see photos from crew tagging their location and even their next destination, clearly with guests onboard, if you see enough of their โstoriesโ you can piece together exactly what cruising the yacht is doing.ย Dinner table and party set up pictures, posted in real time can easily give away numbers of guests coming, a 200 person party set up is bound to be attended by some persons of interest.ย
I remember the days we were asked to not mention to anyone our upcoming plans on-board, which was easy to comply with, as long as you didnโt blab about it when at the Blue Lady or the Mad Mongoose. These days you ask the crew not to post anything on social media about the upcoming trip with resounding nods and agreement, then day one of the voyage and everybody has seemed to have turned into Cameron Crowe, documenting every wave that hits the porthole or every glistening sunset.
A simple location tag on a photo from a crewmember is often enough for a keen yacht spotter to deduce where the yacht is and reveal the presence of high-profile guests on board, potentially compromising their privacy and safety.ย
The crew onboard superyachts are privy to the personal lives, preferences, and sometimes even the darkest secrets of their guests. ย Business deals, mistresses, prostitutes, secret games and affairs are all to be kept tight-lipped about. ย While crew wouldnโt intentionally post about the guests themselves, it is getting more and more usual for guests to add crew as โfriendsโ on their social media accounts, this then means if a crew member posts about the yacht, they may inadvertently give away some personal information the guests would rather their friends not know about.ย Crew often sign non-disclosure agreements and are expected to maintain the public perception of their guests, however, these are usually forgotten about and not followed up by the senior crew. ย Discretion and secrecy are of utmost importance to protect the privacy and reputation of the guests and the integrity of the superyacht industry as a whole.
Maintaining confidentiality is not just about respecting personal boundaries; it is about creating an atmosphere where guests can unwind, be themselves, and enjoy their time without the fear of being exposed to the public eye.
The superyacht industry’s success largely depends on its reputation for providing a secure and discreet environment for high-profile clients. Business meetings with rival firms are kept quiet while it could effect stock prices and trust from shareholders. Any breach of confidentiality can damage this reputation and deter future clients from seeking the superyacht experience.
The introduction of social media has transformed the way information is shared and consumed. Platforms like Instagram, Facebook, and YouTube allow anyone to become a content creator and instantly share their experiences with a global audience hoping to become the next big thing. ย While this has undoubtedly brought numerous benefits to individuals, it has also presented challenges to the industry.ย All too often the news outlets are grasping onto negative stories shared on social media, barely having to do any investigatory work themselves as people have shared their limited thoughts on an incident all over their profiles.ย
The use of social media is a worry to all who hold a position of command in ensuring the privacy of their guests is maintained, paparazzi, fans, or even fellow crew members can inadvertently or deliberately share sensitive information, photos, or videos of guests on social media platforms.
On the flip side, social media can be a valuable tool for marketing and promoting the superyacht industry. Crewmembers can showcase the beauty and fun of the industry, its destinations, and the exceptional service provided โ as long as it’s done without violating the privacy of guests.ย These days we have all seen certain yachts that have their own social media pages or YouTube channels to help promote themselves for charter and Iโm sure they do well out of it, although I often wonder what potential charterers watch these.ย
It is a delicate balancing act between preserving guest privacy and leveraging the power of social media for positive promotion. This requires careful training, clear communication, and strict adherence to guidelines, often the best approach is to employ someone with prior training in social media and marketing. In doing so, the superyacht industry can continue to offer a haven of luxury, exclusivity, and discretion for its discerning clientele.
In the world of luxury and extravagance, few things are as iconic and beautiful as a superyacht.ย These floating gin palaces represent the pinnacle of wealth, showcasing not only exquisite craftsmanship, the finest materials money can buy and cutting-edge technology.ย From immaculate decks to opulent interiors, superyachts spare no expense in creating an unparalleled experience for their fortunate owners.
Superyachts are known for their stylish and designer exteriors, often crafted from expensive materials to achieve a perfect finish of beauty and functionality.ย From the keel up, generally, on larger vessels, the hull is made from marine grade steel and the superstructure from aluminium, renowned for its lightweight properties and corrosion resistance. ย It not only contributes to the yacht’s overall durability but also allows for weight-saving and intricate exterior designs.ย The bare metal is then sealed with primers and faired numerous times until a perfectly smooth surface is achieved to paint over with polyurethane paints, leaving a perfect mirror finish.ย
Teak, a hardwood renowned for its natural beauty and resilience, is another favourite for superyacht decks. ย Its warm, golden tones not only provide a stunning visual contrast against the painted elements but also offers a comfortable, hardwearing and non-slip surface for guests to enjoy on the open sea.ย Teak is also used for perfectly varnished handrails, supported by mirror-finished stainless steel railings.ย
All fittings on the exterior are made from highly polished mirror finish stainless steel, from door handles, to mooring bits, fairleads and windlasses.ย
The extravagance of a superyacht is most evident in its interiors, where no expense is spared to create a haven of luxury. ย Hardwoods such as mahogany, teak, and oak are commonly used for wall panelling, and bespoke built furniture. ย
Marble is used for the flooring throughout communal areas, bathrooms and dayheads, with silk carpets used in cabins and salons. The yacht’s bathrooms are usually crafted with marble countertops, floors, walls and even intricately designed sinks, sometimes with gold or crystal fittings.
The interiors are adorned with the finest fabrics and furnishings, elevating the onboard experience to unparalleled heights of comfort. From custom-designed sofas to handcrafted bed linens, every inch of a superyacht’s living space is a testament to luxury. There may be exotic materials such as stingray skin, leathers and silk used to create bespoke wall coverings or furniture. Exquisite curtains and blinds delicately filter the sunlight, adding an extra layer of refinement and privacy.
Priceless paintings and art pieces adorn the living spaces, many being one-of-a-kind and irreplaceable.
In addition to the lavish use of traditional materials and handcraftsmanship, superyachts boast cutting-edge technology, integrated into the overall design. ย Smart glass technology allows windows to transition from transparent to opaque with a simple touch, automatic blinds, curtains and lights offer both privacy and ease.ย Huge entertainment systems, onboard Internet, air-conditioning and lighting are all controlled through sophisticated touchpad interfaces, enhancing the overall onboard experience.
The other extravagance of a superyacht, is the level of crewing involved, from ratios of 2 or 3 crew to every 1 guest onboard, all highly trained and highly skilled in their fields.ย The crew offer every type of service imaginable and make every request of the guests a priority, all while maintaining absolute discretion.ย
The extravagance of a superyacht is not merely a display of wealth, it is an artful combination of engineering prowess and the use of the finest materials available. These floating marvels are a testament to the limitless possibilities when money meets craftsmanship, creating an experience that is truly beyond compare.
The Bridge Classic Cars team is growing.
We have several vacancies that we are currently trying to fill:
Classic Car Paint Restoration Specialist
We are looking for an enthusiastic and meticulous Classic Car Paint Restoration Specialist.
An eye for detail, good time management and experience in a body shop is crucial.
The daily duties of the role include; bodywork stripping and preparation, smaller component painting, chassis painting and bodywork painting.
The ideal candidate will be comfortable working with both solvent and water-based paint.
Fabricator / Welder
The ideal candidate will have the necessary experience in working with old cars and be familiar with the challenges that come with working on them.
You must be able to MIG weld. TIG weld would be an advantage but not a necessity.
If you have other talents relating to the restoration of classic cars these could also be used.
Events Promotional Staff
Marketing and branding is a huge part of our operation here at Bridge Classic Cars. Whether you know us for our award-winning restorations, our amazing competitions, our free online sales platform or our clothing range, it all makes up the Bridge Classic Cars brand. We host private events and open days at our workshops and The Atelier is our showroom space with an in-house licenced bar. It’s a fun and quirky place for like-minded enthusiasts to get together.
We’re looking for enthusiastic and dedicated people to help us with getting out and about in the car world. Whether it’s selling tickets to our hugely popular competitions, talking to potential clients about restoration work or talking to our amazing friends who come by to say hello – we want you to be one of the faces of Bridge Classic Cars.
Events normally take place on the weekends or evenings so you will need to be available and somewhat flexible.
If you’re looking for a fun way of getting into the classic car world or you’re looking for some part-time work then get in touch with the team at events@bridgeclassiccars.co.uk
We would love to hear from you.
Last night, Gordon and I were invited to attend a dinner at the prestigious Ipswich and Suffolk Club organised by an exclusive group of local business investors. They get together to discuss opportunities over a meal and drinks and hear from different speakers specialising in all aspects of business and culture.
We were there to discuss the future of classic cars, to answer questions on Bridge Classic Cars and the market trends we are seeing in the classic car world and to talk about what we believe would be the right investment opportunities.
After dinner speaking does not come naturally to either myself nor Gordon but we both thoroughly enjoyed it. I guess what made it that little bit easier was that we both love what we do and classic cars are in our blood, it’s our passion.
Thank you for the opportunity and if you are reading this and were there on the evening, I hope you enjoyed what we had to say.
And if you want to add a touch of class to your event, forget me and Gordon, why not consider having Molly and the Bridge team come along.
Mollyโs experience with classic cars and vintage lifestyle is extensive. As a seasoned presenter at Bridge Classic Cars, she has accumulated a wealth of knowledge in classic cars. Alongside this, she is a professional singer and actress who graduated with a BA(Hons) in Musical Theatre. Molly is part ofย The Three Chordettes, a female vocal harmony group, specialising in vintage swing and jazz hits from the 1940s and 1950s.
Her passion for these classic vehicles and all things vintage shines through in every word she speaks, captivating audiences with fascinating insights into the history, mechanics, and stories behind each classic car.
Lydia has been using various grit of sandpaper to clean off the paint from the bonnet of our 1951 Austin Devon Pickup. Some areas of the sides had a lot of filler in or had been lead-loaded. Various sections of surface rust and pitting are present too.
Various parts of our classic Devon have been painted black as well.
We recently received a call from the London & South East England Prestige Awards to let us know that we have been named Automotive Restoration Specialists of the Year!
The entire team here at Bridge Classic Cars put a huge amount of time and effort into each task we complete each day, so it is amazing that this has been recognised and rewarded.
Our team will continue to restore the rare and special classic vehicles that enter the workshop knowing that their work is award-winning.
The letters SL have served as moniker for fast, stylish and sophisticated Mercedes Benz 2-door sports cars for nearly 70 years. From its earliest days connected to the legendary 300SL โGullwingโ of the mid-1950s all the way up until the latest generation.
The 4thย generation of the long-legged โbahn-stormerโ was the R129. A car which became a posterchild for the decade of luxury and decadence โ Just like this one, our 1992 Mercedes 300SL.
In a beautiful combination of maroon over a beige leather cabin, and removable hardtop, our R129 would bring in a new era of stylish at Mercedes with its angular and sleek modern look.
With its elegant looks, our 1992 300SL is fitted with the classic 3-litre Mercedes straight-six engine working alongside its smooth automatic gearbox to get this 2-door roadster up to an effortless pace.
Included in the cars history folder are several recent invoices to do with the upkeep and maintenance of this beautiful 1990s GT car.
Bridge Classic Cars Competitions wants to put you in the driverโs seat as the open road stretches out in front of you by winning our 1992 Mercedes 300SL.
This is the story of Chris Owen and his 1937 Austin Ten Cambridge, known as Harriet, told in Chris’s own words.
“My first car was a 1937 Austin Ten Cambridge (reg. EP6915) that I bought from its first owner who lived at Maesmawr, outside Welshpool in Mid Wales, in 1966. Even in those days, Mrs. Harriet Lloyd-Jones lived simply in her house which had no electricity or running water. I donโt think she had used the car for quite some time and it was kept in an old stable block (a bird dropping on the bonnet of the car had eaten through the paintwork to the bare metal below many years earlier!). Mrs. Lloyd-Jones had been a Justice of the Peace and she had used the car mainly for those short journeys into Welshpool, about 7 miles away.
That she loved her car was undoubted but it was her โworkhorseโ (even today the remains of her Hanson cab can just be seen in the undergrowth in her garden). Over the years since she had bought the car new in 1937, manure on the country lanes had eaten through the front wings of the car for two or three feet above the running boards. The rot on both front wings had been patched up with aluminium sheets riveted to the wings. In time those aluminium sheets too had rotted, but it was after the War and there would have been a scarcity of new parts. The rotted aluminium patches were still on the car when I bought it from Mrs Lloyd-Jones in 1966 โ for ยฃ5. That probably seems remarkably cheap today but in those days it was common for many a โrunnerโ to be bought for between ยฃ5 – ยฃ30.
I promised Mrs Lloyd-Jones that I would look after her car and give it a good home. She had given me instructions about looking after it โ at the end of each journey she would drain the radiator, and before her next โoutingโ she would pump up water from the well, heat it and then refill the radiator. She used to keep hot water bottles on the seats during the Winter months to keep them aired! With two dear friends, Jim Sayce (Leighton) & Mike Roberts (Trelydan), we prepared the car for starting. The two original 6v batteries (under the front seats) were flat so we had to use a 12v battery standing on the running board and tow the car down the lanes before she would start.
Over the following thirteen years, I used the car almost every day and โthe old ladyโ proved to be a most comfortable and reliable car โ and she was great fun to drive! The large sliding sunroof was open most of the time and the windscreen wound wide open. Even in the 60s in Mid Wales it was not uncommon to encounter thick fog in the Winter months, but with the windscreen wide open I could see and hear much better โ even if any passenger with me was not quite so appreciative!
I covered thousands of miles over those years with trips up to Scotland and on to the Isles. In all that time the most serious breakdown was when the crankshaft broke going up a steep hill (the other side of Wrexham), and twice when driving the car too fast โ the valve pins shot out! I remember taking two bank colleagues up to Durham university for a course; three of us travelling in the car with all our luggage for the week and the speedometer clocking 72 mph on the A1 going North! Wonderful fun!
Driving the car soon became as easy as driving a โmodernโ car in those days although with the Austinโs weight and a 10hp side-valve engine, acceleration was a bit slower, but in other respects the car was very nippy. She was fitted with Girling rod brakes which were extremely efficient; by tweaking the adjuster on each wheel every two or three weeks, her braking power was kept in tip top condition.
The car was very well looked after and I was able to have the front wings replaced with brand new ones that I obtained from Christleton Motors in Chester (sadly now long gone).ย With driving the car every day I very quickly became fully attuned to every sound from the engine.ย Any new noise under the chassis or from the engine compartment would get immediate attention, but it was just a sheer delight listening to the engine working well.ย I checked the tyre pressures regularly of course, but I became so much a โpartโ of the car myself I could tell immediately if one tyre was even just a lb. down in pressure.
Sometime in the early 1970s, after I was transferred to Chester, Lloyds bank sent me to Liverpool to its then Overseas Branch for several weeksโ experience. Although my father had worked in Liverpool in marine insurance, I didnโt know the city at all; nor did I know any of the staff in the bank there. One day I was talking to a colleague working there, Bill Osborne, about some overseas work we used to do for a corporate customer in Welshpool. Bill was surprised that I had worked in Welshpool and then he told me he had been evacuated there during the War with his two brothers โ but they had stayed in a tiny place outside Welshpool called Maesmawr. I just looked at him in surprise and told him thatโs where my old Austin had come from. โEP6915?โ he asked me!! I almost fell off my high stool in shock. The brothers stayed with Mrs. Lloyd-Jones for 4ยฝ years and the three young lads shared a big double bed. The car was still quite new in those days and every year, by saving up her petrol coupons, Mrs Lloyd-Jones could take the boys out for the day to Aberystwyth and then stopping at Borth for a swim. Bill told me that coming back over Plinlimon at night, it was cold and the three boys shared a brown rug to put over their knees. All these years later and that same brown rug is still with the car!
In the late 70s, I could see banking was changing and my own life was changing too. I had heard about Operation Drake, the two-year, around-the-world expedition โ and eventually I was offered a place on the directing staff for the Indonesian phase. The bank exceptionally gave me unpaid leave of absence. I needed to fund my place on the expedition so I sold my home and bought a smaller property that would need renovating on my return. My much-loved Austin went to a friend in North Wales who intended to do some work on it.
By the time I returned from Indonesia and had done some work in the Old War Office where the expedition had its headquarters, I had decided not to resume my old career. My working life changed and I was involved for two years in setting up a registered conservation charity covering Cheshire. After my two-year contract expired, I had a long spell in local government โ controlling departmental budgets but mainly doing rural and urban trees & hedgerows conservation work. Probably I would have been better off financially staying in banking but my new work was much more satisfying!
Eventually, I was thrilled to hear that the Austin was coming back to me. However, although I knew that my friend had had the car standing outside in the open for more than five years, I was not prepared for the shock when she arrived back in Chester on a trailer. Not only had he had almost completely stripped the car down but rot had accelerated throughout the car. It was an heartbreaking sight and I had tears in my eyes when I saw her. We managed to push the car into a lock-up garage where she would have to stay for several years. I could see from her sorry state that she would require a full major restoration โ work far beyond anything I was capable of doing โ even if I had a workshop. My hopes of being able to run her again in the foreseeable future were well and truly dashed.
After I retired, early in 2014 I finally bit the bullet and the old Austin went to a wonderful firm of restorers โ Trevor Farrington and his team outside Knutsford in Cheshire.ย Trevor has a wonderful reputation and a very skilled workforce.ย Even they were shocked at the state of the car when they started work on its restoration and I was told later it had only just been restorable.ย My heart sank.
Shortly before the car went off for restoration, I had written to Jay Leno and sent him a copy of the Austinโs history thinking he might be interested in reading about the โold girlโ. Time went by and I think I had even forgotten that I had written to him. Late one morning I popped out for a few minutes to a local store. When I returned, the telephone light was flashing โ it was a very kind and most supportive message from Jay Leno who phoned me from California! He didnโt leave a phone number and sadly I havenโt been able to make contact with him since. A shame, because he doesnโt know that the carโs restoration was subsequently started, and I am sure he would be most interested to learn about another remarkable coincidence with the car โ a connection with California!
The Austinโs chassis was in remarkably good condition and needed very little doing to it. The same could not be said of the bodywork. The team set to and many, many hours of work went into replacing rusted parts and Trevorโs men made a remarkable job of restoring the body shell. When it was finally painted, the transformation was simply incredible โ and the paintwork today is probably even better than when Mrs Lloyd-Jones collected the car from Longbridge in early June, 1937. Sadly, by then I had spent some ยฃ30k, all my capital, on the restoration and the work has had to stop. My family almost had me certified and it was a long, long time before they spoke to me again!
One day in the Summer of 2015, while the Austin was still at Trevorโs workshops, Trevor telephoned me to say that he had received an e-mail for me and could he send it on to me? It seemed odd. Apparently, the writer had read a โblogโ about Harrietโs story that had been published by my โmodernโ carโs breakdown company, StartRescue (never having even seen a โblogโ, I had almost immediately put it out of my mind!). The writer was a chap called Bernie Griffiths who has lived and worked in California for close on 40 years now . . . . and who turns out to be the great-nephew of the carโs original owner in Mid-Wales, Mrs. Harriet Lloyd-Jones! I was completely in shock at that news!
Subsequently, I was able to meet Bernie when he came over with his son to see his very elderly father (who died a few months later). Bernieโs father was well enough then to travel by car from the Midlands, so I arranged to meet Bernie, his father and some of the family for a light lunch one day before going on to Trevor Farringtonโs to view the newly painted body shell. The old man hadnโt seen his auntโs car since the early 1960s!
My family think I am completely โnutsโ for spending all my money on an โold carโ that probably will never be worth a fraction of the restoration costs, but then they have never experienced the joys and thrills of driving a pre-war car on the open road. Such an experience, to me, is absolutely priceless and in my eyes my much-loved, humble Austin is as precious to me as any fine Bugatti or handsome 1920s Bentley!
Unable now to complete Harrietโs restoration, and as I am creeping towards 75, I can feel my dream of being able to use her once more as my everyday car, is slipping away. It might well cost another ยฃ20-ยฃ30k to have the โold girlโ finally restored, but after all her extraordinary history I could not bear to part with her now. For the time being Harriet slumbers on inside a warm and secure shippon just a few miles outside Chester.”
If you have memories of a special vehicle, we’d love to share them. Simply email rob@bridgeclassiccars.co.uk with some photos and why your vehicle means so much to you.
We have recently welcomed back the 1964 Daimler 250 V8. After under going restoration/recommissioning by ourselves last year, the car was given back to its owner to be enjoyed and used – the car was then brought back to ourselves to be put into winter storage, something many of our customers ask us to do.
With that, we were tasked with looking into a slight leak from underneath the 1960s V8 saloon car.
Our technician James was tasked with tracking down the cause of the leak and at the same time, nut and bolt checking the underside of the car to make sure everything was all ok. During the inspection, James found several fluid leaks on the car, mainly from the power steering pump. To confirm this, the team have cleaned down the area surrounding the connections to power steering pump to allow for a clean environment to look closer and find out specifically where the leak is coming from.
Along with that, they did notice a very small weep from the back of the engine sump and have also thoroughly cleaned that down to investigate into this area further and pinpoint the area which needs attention.
Over the last few days, the workshop team have been completing some final checks and road testing our 1955 Aston Martin DB2/4 in readiness for completion and hand back to the customer.
The lights have been checked and set, all levels checked and topped up, and road tested with small adjustments and checks each time. Technician James fixed a small fuel leak on one of the carburettors, checked all the bolts for tightness, and removed the speedo head for calibration to ensure its accuracy.
The bump stops for the bonnet have been renewed and the brakes re-adjusted after bedding them in.
The paint and body team at our Suffolk HQ have been methodically working on separating the body from the frame of our 1975 AC Cobra Replica.
The team have to be incredibly careful with this process on any car, but cars with fibreglass bodies take extra attention due to the nature of the material snapping/shattering if bound up on any fixings. With this in mind, our technician Mauro went through every inch of the car to make sure that nothing was still connected before a team of technicians separated the body from the frame of the famous replica roadster.
Before the lucky winner of our 2002 BMW Alpina B10 V8S arrived at the Bridge Classic Cars workshop to pick up his new car, Jonn gave it one last check-over to make sure it was ready to go.
The TPMS (tyre pressure monitoring system) light was on and the offside front tyre was a bit low. After inflating all of the tyres, the light was out and everything looked good.
As our 1951 Austin Devon Pickup has continued its stay in the Bridge Classic Cars fabrication bay, Chris has been fitting up the cab lower corner, fabricating and welding on the brace frame to the cab mount rails. He also removed and started repairing the floor.
Classic car technician Paul has been continuing his work on our 1956 Jensen 541. He has fitted the brake pipes and rear shoes as well as assembling parts for the heater box.
There’s been some incredible progress on our 1905 Riley 9hp in recent weeks.
Recently, the team here at the Bridge Classic Cars HQ have been working full-steam ahead on the 1-of-1 antique car.
The wooden frame has returned from the team at Ashbocking Joinery ready for the trim team to continue their careful and precise work in bringing the wooden structure back to life with its handmade covering.
Meanwhile, the fabrication team have been working on recreating several pieces which needed to be re-manufactured for the hood to be fitted up properly for testing. These small hooks are part of the hood support system which needed to be made and shaped by hand to perfectly fit the 119-year-old car.
At the same time, our trimmer Lydia has been working on making a battery bag for the battery. Although its truly a safety item, she has made stylish and perfectly sized for the car. The whole purpose is to make it easier to remove the battery from the wooden box it is fitted into, but the thickness of the leather and the material itself allows for some dampening and deadening to protect the battery and prolong its life.
On the chassis itself, in the main mechanical workshop, Steve has been working on the gearbox. Before the car moves under its own power, Steve has completely flushed and cleaned up the gearbox internals due to the car being sat for long periods of time – and with this much hard work, devotion and passion poured into this very special project it made sense to do it at this time before the body is placed onto the frame for the final time.
Our 1955 Aston Martin DB2/4 has been getting a lot of attention lately. The stripped chassis has been sent off to the sandblasters.
Before it went, Rob stripped the last remaining parts off the shell and chassis and removed the bodyshell. He also separated the sill/bulkhead structure from the rear bodyshell. Rob went on to remove the steel inner structure from the outer ally rear body in preparation for blast cleaning.
The paint team here at Bridge Classic Cars have been preparing the body of our 1976 Triumph Spitfire for the next phase of its restoration journey.
Al has been working on getting the body ready to be finished in its bright vibrant Green colour – with the whole body having every inch poured over so it has perfect surfaces ready to have its paint laid down.
Our 1963 Bentley S3 has recently returned to the Bridge Classic Cars workshop. As you can see, from the photos below, it now looks very different to how it did a few months ago when it first arrived.
When it arrived back, Jonn had to free off the brakes. To do this, he removed the front wheels and stripped the brakes. He removed the shoes and placed them inside the car before refitting the drums and wheels.
The trim team have been working on repairing the drivers seat to the 1992 Toyota MR2 which is currently in our Pettistree workshops.
Lydia worked her skill on the drivers side bolster of the Japanese sports car before handing the unit back over to Jon to refit back into the car.
The Bridge Classic Cars Defender has been having some work completed recently.
Lydia sanded off the sharp edges of the rear bench to avoid any future injury to passengers. She then sprayed the bare metal with black paint to finish.
While Lydia did this, Mauro primed the roof ready for paint.
Jon has been carrying out the inspection of our 1974 Mini 850 Van.
He began by topping up engine oil and screenwash in washer bottle, aling with checking all other necessary fluids. Next step was a full strip, clean and inspection of all brakes and then refitting the drums and adjusting till just right. Following that, he fefit all wheels and torque to 60nm before inflating all tyres to 26psi. One of the final stages of maintenance was to put 5 liters petrol in and attempt to start. The Mini started ok, but the petrol gauge showed no moment. After manually wiring the fuel sender the gauge began to work. Jon drained the fuel and remove the sender unit from the tank. He found sender seized and rusted so proceeded to strip and clean/free off.
Jon cleaned the contacts and re-assembled before fitting back into the car and test through range – He reported back it is working fine now, refitting the unit back to the tank and put the fuel back in. After checking the guage, it now reads half a tank.
Finally he secured the battery, lubricated the sliding windows and then carried out road test.
After the road test and finishing the inspection, Jon carried out road test before returning to the workshop. On returning, he adjusted the passengers door lock, adjusted the idle speed and then road tested again with our trimmer Lydia in the back on the classic Mini van to pin point rattles which was traced to the rear door lock. Returning to the workshop, Jon removed the lock mechanism from rear door to strip and inspect. Using double sided tape with backing left on to remove any play from the mechanism rods. After opening up the mechanism, he found not a single ounce of grease inside mechanism – So thoroughly lubricate with grease and reassemble. Refit to door and test. No rattles now.
Our 1963 Vauxhall Victor recently went live on the Bridge Classic Cars Competitions website. As it is scheduled to be won very soon, Jonn has been making some repairs to make sure it is ready to go to the lucky winner.
He has removed the inline fuel filter, cleaned it out, blew it through, and refitted it to the car.
Jonn then stripped and removed the nearside front upper ball joint rubber. This was cleaned, and a new rubber boot was fitted and secured. After refitting the top arm to the hub and tightening using a new split pin, Jonn refitted the wheel and repeated the process for the offside front upper too.
The radiator was drained. and Jonn removed the top hose and ran water through the radiator and engine to flush out rusty brown water. Antifreeze and water were mixed to make a 50/50 mix. The pipe connections to the radiator were cleaned and a vacuum pressure filling machine was used to refill the system.
Jonn topped the antifreeze mix up with a small amount when he had finished before cleaning up and checking the anti-freeze content. Protection down to minus 18 degrees Celsius is now covered, as shown in the last photo of the refractometer sight glass.
A new washer pump was also fitted. To do this, Jonn had to re-drill the fixings as the new pump wouldn’t align with the old holes. He then cut and fitted the washer pipes and tested them. The washer jet aim was adjusted appropriately before all tyre pressures were adjusted to 26psi.
Our 1992 Toyota MR2 has been in the skilled hands of classic car technician Jonn. After he removed the driver’s seat for repair, Jonn disconnected the wiring under the seat before hoovering the space out ready for the seat to go back in once the repair is complete.
A new plastic weather shield was made for the door before the door panel was refitted. New screws were used at the bottom edge as the old ones were missing when the car arrived. Once the switch pack was reconnected, the window was tested and found to be working fine.
Tony wore his transport hat this morning as he carried the stunning Clio 2.0 16v Sport from one side of Suffolk to another. Normally our trailer is seen heading up and down the motorways travelling the length and breadth of the country so a local trip today made a nice change.
Bridge Classic Cars are award winning Classic Car Restoration and Maintenance specialists. Your pride and joy is in safe hands with our expert Classic Car Technicians. Take a look at our awards here.
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