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riley restoration

Riley Burning

Pricey has been burning off leftover under-sealer and old paint before it goes to sandblasting. He then scrapes it off so that as little is

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Restoring the Riley

Our 1953 Riley RMS initially came in with some alignment issues with the bonnet and side panels however we discovered that the handbrake was sticking.

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Riley Burning

Pricey has been burning off leftover under-sealer and old paint before it goes to sandblasting. He then scrapes it off so that as little is left as possible.

Breaking Down The Problem

Scott has begun to take apart the brakes on our 1934 Riley Monaco to determine the issue. He’s stripped the brakes down and checked them over, cleaned and greased them. He discovered that they still squeaked, so he filed the leading edge of the shoes to a chamfered edge. Unfortunately, Scott found that the squeaking still persisted so he decided the squeaking must be due to when the shoes were relined, the material used was too hard. The brakes are set to be sent away to be relined again.

Scott has also made up a block to go on the clutch pedal to make it easier for the owner to use the clutch.

1951 Riley Disassembly

We’ve started on the restoration on our Riley which is in for body refurbishment and paint. Currently the fabrication bay have taken the body from the chassis and started to strip the wooden frame. Once everything has been stripped and refurbished, we will then endeavour to repaint the body.

Riley Completed

Our 1953 Riley RMS has been completed, having had its overdrive removed and it now awaiting collection from the client.

Restoring the Riley

Our 1953 Riley RMS initially came in with some alignment issues with the bonnet and side panels however we discovered that the handbrake was sticking. To try and resolve this, Scott stripped the rear brakes, cleaned and greased where necessary and then cleaned up and re-greased the compensator as it was sitting too tight.

Scott also noticed that the handbrake cable had been routed different to the factory setting and was hard up against floor at an angle. To fix this, Scott took the cable off, regreased it and fitted it correctly.

We also noticed that the front right brake was binding slightly so Scott took the drum off and found that it was caked in dust and dirt. After giving it a clean, Scott then adjusted the brakes.

The Rare Riley – British Motor Museum

Bridge Classic Car’s Directors, father and son team Gordon and Craig visited the British Motor Museum this week on one very specific mission – to learn all about their 1905 Riley 9HP.

The museum is home to what is believed to be one of only three 1905 Riley’s in existence. Gordon and Craig were invited for a private viewing to get up close and personal with this unbelievable piece of history.

“The Riley 9HP we have here at Bridge needs a full build and restoration,” Gordon describes. “It arrived to us as little more than a truck full of loose parts, so to see the car as it should look is a real treat.”

The visit certainly got Gordon and Craig excited to see what their Riley should look like. They took an array of photo’s to bring back to Bridge HQ that will give our experts some valuable insight into the cars mechanics, electrics and aesthetics. There’s a long road ahead as the technical team start to piece together this extraordinary vehicle. But for now – here’s a flavour of the museums Riley in all it’s glory.

The British Motor Museum is a glorious day out. It’s home to the largest collection of historic British cars in the world and boasts over 300 classic and vintage cars dating right back to the beginning of the 20th century.

The enormous purpose built premises is nestled within 65 acres of Warwickshire countryside. The museum was awarded a Heritage Lottery grant of 1.3 million pounds in 2006, which was used to enhance the displays and build a stunning mezzanine viewing platform.

“I especially liked seeing Fab 1,” expressed Craig. Which is Lady Penelope’s iconic pink car, redesigned by Ford in 2002 from the original 1960’s Rolls Royce featured in Thunderbirds. Bridge Classics are proud to work with Project Plastics in Colchester, who produced the windscreen on Ford’s new Fab 1.

“The James Bond Landrover was also a great sight,” described Craig. “007 cars are always a firm favourite of ours.”

Working with classic cars every day is such a privilege. These cars bring back such special personal memories and nostalgia, it’s been brilliant for Craig and his Father Gordon to see some of the best examples around. Special thanks go to curator Cat Griffin for being such a wonderful host, we shall be back for sure!